Black and White Cambridge

Black and White Cambridge

Reading Time: 2 minutes While I am busy archiving photos and generally sorting stuff out a little, I found these scans. Every year at High School we had a “Special Week” – with various activities. One year was a photography workshop where we took and developed out own films. 

Scotch Chrome

Scotch Chrome

Reading Time: 4 minutes I have been going back a bit to get some more ‘blog style posts onto this site (something I originally aimed to do) – inspired in part by managing to edit a good selection of film scans which have been hanging about for ages, and 

Sepia Sprockets

Sepia Sprockets

Reading Time: 4 minutes Following on from my post on stand development in Rodinal a few days ago, this seems as good an opportunity as any to write about another film for which I used this process, along with some digital trickery to create some exciting hybrid images. The 

Old E4 film in Rodinal

Reading Time: 3 minutes Sometimes I wonder about my sanity. A long time ago, I bought a random collection of old film from that den of iniquity that is Ebay. I think I was pulled in by the fact that it had a couple of 126 Cartridges, which are 

Blue Bleach Bypass

Blue Bleach Bypass

Reading Time: 2 minutes Ever pushing the boundaries of odd techniques in kitchen development – I decided in the middle of a hectic and busy developing session recently to try something a bit odd. Cross processed, bleach bypass slide film. An experiment in blue Quite what led me to 

Alien Landscapes

Alien Landscapes

Reading Time: 3 minutes Kodak Ektachrome Professional Infrared EIR Film has become a bit of a holy grail for experimental photographers, and I have seen it command prices of over £100 on ebay. I was lucky enough to get hold of a roll in a mixed bundle of old films (along with 2 HIE Black and White infra-red rolls for about £14 – I guess the guy didn’t know what he had!).

EIR is a ‘false colour’ technical film, coated on an Estar base with a sensitivity from 380-900nm – this covers the full visible spectrum and some of the near-UV and all of the near-IR range. Near Infra-red wavelengths are rendered as a deep visible red, and due to the ‘Woods Effect’ (reflection of n-IR wavelengths from foliage) this means that foliage comes out in this colour creating strange and bizarre visual effects.

Nuclear Implosion

Nuclear Implosion

Reading Time: 5 minutes There has been a bit of a buzz recently about this new film produced by Adox. This promises ‘Imploding Colours, Bursting Reds and Toxic Grain’. I have read that it was in fact a dud batch with one of the layers incorrectly coats. It is 

Infra-Red – Part one.

Infra-Red – Part one.

Reading Time: 6 minutes I have been waiting all year for these… Last year, I bought a couple of rolls of Rollei IR400 from AG Photographic, having read a bit about the crazy effects of infra-red photography. Shooting Infra-red Sadly this does not let you see through people’s clothes as some 

X-pro

X-pro

Reading Time: 3 minutes I found this little page today, and thought that I would re-blog it. http://pixelfarmize.wordpress.com/2009/04/16/xpro-film-chart/ It has got me thinking a bit about cross-processing, and the results that you get. Cross processing has become a bit of a trend at the moment, with the whole l*mography