TT Artisan 7.5mm f/2.0 – Fisheye Fun

I’ve always wanted a full frame fisheye lens, from when I was shooting like crazy with my DLSRs – I had an adapter than (not very effectively) turned the image into a circular (albeit cropped) fish eye, but this has never quite been my thing. I love the very exagerated lines of super-wide angle shots, and the brilliant close up effects you can get.

The TT Artisan 7.5mm f.2.0 lens is constructed of 11 elements in 8 groups, with a 7 bladed aperture, with a fixed focal length (obviously) of 7.5mm, and aperture in 1/2 stops from f/2 to f/11. It’s a curvilinear or fish eye lens with a 180° diagonal field of view (around 140° horizontal and 95° vertical).

Having been playing with Gemini and NotebookLM (more on this in a future post) I’ve built up a massive amount of data for this lens and will get a bit sciencey later) with one lovely tables, but for now, here’s some pictures.

Irritatingly, DPD and WEX could not manage to deliver on the day they were supposed to, I had carefully aranged this to come on my working at home day, the day before a days leave, and hoped to take it out for a really good test. But it didn’t come until the next day and then not until nearly 6 in the evening. I’m irritated with WEX who were very standoffish when I aksed about delivery to the DPD pickup – apparently it’s “too high value” though I have ordered expensive musical kit to there and their pickup security is tight. Had it not come the next day it would have needed to be cancelled as I would have not been able to receive it! Anyway, it pissed it down most of the day, but did clear up in the evening and I took it for a quick walk around The Ridge. There’s two main uses for super-wide lenses, especially fish-eyes – close up loveliness and crazy curves (that sounds a bit rude…)

You can see both here with the flower and nature shots and looking down the beck and up into the trees, and the abandoned hoover shop at the end of Bentley Lane.

After a number of crap weather days and too much work, I took the lens on to campus one day. Of course the other thing you can do with super wide lenses is tight spaces and corridors – check out the lift! And although the myth about Blakes 7 being filmed on Red Route has been dispelled, the corridors certainly made for an interesting subject.

Of course, looking up really acccentuates the curves (oh er, again) and some of the wonderful brutalist architecture has created great effects. And for context the distance between the blue flowers and the Roger Stevens Building is about 30 feet, showing the wonderful effects of close and far subjects combined.

What is also great about this lens is that if you have no close verticals, the fish eye effect is quite minimal – so for you can also use this quite effectively for wide angle landscapes if you compose carefully.

All in all for a shade under £150 this is pretty damn good. The wider apertures are obviously a little soft, but for the low light capabilities and the bokeh you can obtain that’s not an issue. It’s sharpest about f/8 I think – I’ll test this some more another day.

So, now for some yummy data. Tons of it. With manual lenses, it’s good to bear in mind simple focussing tricks, to get the greatest depth of field.

So here’s the hyperfocal distance table


F-Stop
Hyperfocal Distance (meters)Hyperfocal Distance (feet)Near Focus Limit (meters)Near Focus Limit (feet)
f/2.01.41 m4.64 ft0.71 m2.32 ft
f/2.21.29 m4.22 ft0.64 m2.11 ft
f/2.51.13 m3.72 ft0.57 m1.86 ft
f/2.81.01 m3.32 ft0.51 m1.66 ft
f/3.20.89 m2.91 ft0.44 m1.45 ft
f/3.50.81 m2.66 ft0.41 m1.33 ft
f/4.00.71 m2.33 ft0.36 m1.17 ft
f/4.50.63 m2.08 ft0.32 m1.04 ft
f/5.00.57 m1.87 ft0.28 m0.94 ft
f/5.60.51 m1.67 ft0.25 m0.84 ft
f/6.30.45 m1.49 ft0.23 m0.74 ft
f/7.10.40 m1.32 ft0.20 m0.66 ft
f/8.00.36 m1.18 ft0.18 m0.59 ft
f/9.00.32 m1.05 ft0.16 m0.52 ft
f/10.00.29 m0.95 ft0.14 m0.47 ft
f/11.00.26 m0.86 ft0.13 m0.43 ft

Of course, you may not want to focus hyperfocally. Playing with Gemini I have pullled out near and far focus for distances based on the lens markings.

Focus Distance: 0.125 m

F-StopNear LimitFar Limit
f/2.00.115 m0.136 m
f/2.40.114 m0.139 m
f/2.80.112 m0.141 m
f/3.30.110 m0.145 m
f/4.00.107 m0.150 m
f/4.80.104 m0.156 m
f/5.60.102 m0.162 m
f/6.70.098 m0.172 m
f/8.00.094 m0.186 m
f/9.50.090 m0.204 m
f/11.00.086 m0.226 m

Focus Distance: 0.15 m

F-StopNear LimitFar Limit
f/2.00.136 m0.167 m
f/2.40.134 m0.171 m
f/2.80.131 m0.175 m
f/3.30.129 m0.180 m
f/4.00.125 m0.188 m
f/4.80.121 m0.197 m
f/5.60.117 m0.208 m
f/6.70.112 m0.225 m
f/8.00.107 m0.249 m
f/9.50.102 m0.283 m
f/11.00.097 m0.327 m

Focus Distance: 0.2 m

F-StopNear LimitFar Limit
f/2.00.176 m0.232 m
f/2.40.172 m0.239 m
f/2.80.168 m0.247 m
f/3.30.163 m0.258 m
f/4.00.157 m0.274 m
f/4.80.151 m0.296 m
f/5.60.145 m0.321 m
f/6.70.138 m0.364 m
f/8.00.130 m0.431 m
f/9.50.122 m0.547 m
f/11.00.116 m0.745 m

Focus Distance: 0.3 m

F-StopNear LimitFar Limit
f/2.00.249 m0.378 m
f/2.40.240 m0.399 m
f/2.80.233 m0.422 m
f/3.30.224 m0.455 m
f/4.00.213 m0.510 m
f/4.80.201 m0.592 m
f/5.60.191 m0.704 m
f/6.70.178 m0.951 m
f/8.00.165 m1.618 m
f/9.50.153 m8.239 m
f/11.00.142 mInfinity

Focus Distance: 0.5 m

F-StopNear LimitFar Limit
f/2.00.371 m0.767 m
f/2.40.353 m0.859 m
f/2.80.336 m0.974 m
f/3.30.318 m1.170 m
f/4.00.295 m1.629 m
f/4.80.273 m2.940 m
f/5.60.254 m14.790 m
f/6.70.232 mInfinity
f/8.00.211 mInfinity
f/9.50.191 mInfinity
f/11.00.174 mInfinity

Focus Distance: 1.0 m

F-StopNear LimitFar Limit
f/2.00.588 m3.356 m
f/2.40.543 m6.311 m
f/2.80.505 m51.991 m
f/3.30.464 mInfinity
f/4.00.417 mInfinity
f/4.80.374 mInfinity
f/5.60.339 mInfinity
f/6.70.301 mInfinity
f/8.00.266 mInfinity
f/9.50.234 mInfinity
f/11.00.210 mInfinity

And, if like me you estimate distance better in feet and inches, here they are – again based on the lens markings for feet:

Focus Distance: 0.41 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.00.38 ft0.45 ft0′ 4.6″0′ 5.4″
f/2.40.37 ft0.46 ft0′ 4.4″0′ 5.5″
f/2.80.37 ft0.46 ft0′ 4.4″0′ 5.5″
f/3.30.36 ft0.47 ft0′ 4.3″0′ 5.6″
f/4.00.35 ft0.49 ft0′ 4.2″0′ 5.9″
f/4.80.34 ft0.51 ft0′ 4.1″0′ 6.1″
f/5.60.33 ft0.53 ft0′ 4.0″0′ 6.4″
f/6.70.32 ft0.57 ft0′ 3.8″0′ 6.8″
f/8.00.31 ft0.61 ft0′ 3.7″0′ 7.3″
f/9.50.30 ft0.67 ft0′ 3.6″0′ 8.0″
f/11.00.28 ft0.74 ft0′ 3.4″0′ 8.9″

Focus Distance: 0.5 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.00.45 ft0.56 ft0′ 5.4″0′ 6.7″
f/2.40.45 ft0.57 ft0′ 5.4″0′ 6.8″
f/2.80.44 ft0.58 ft0′ 5.3″0′ 7.0″
f/3.30.43 ft0.60 ft0′ 5.2″0′ 7.2″
f/4.00.42 ft0.63 ft0′ 5.0″0′ 7.6″
f/4.80.40 ft0.66 ft0′ 4.8″0′ 7.9″
f/5.60.39 ft0.70 ft0′ 4.7″0′ 8.4″
f/6.70.37 ft0.76 ft0′ 4.4″0′ 9.1″
f/8.00.36 ft0.84 ft0′ 4.3″0′ 10.1″
f/9.50.34 ft0.96 ft0′ 4.1″0′ 11.5″
f/11.00.32 ft1.11 ft0′ 3.8″1′ 1.3″

Focus Distance: 0.6 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.00.53 ft0.68 ft0′ 6.4″0′ 8.2″
f/2.40.52 ft0.70 ft0′ 6.2″0′ 8.4″
f/2.80.51 ft0.73 ft0′ 6.1″0′ 8.8″
f/3.30.50 ft0.75 ft0′ 6.0″0′ 9.0″
f/4.00.48 ft0.80 ft0′ 5.8″0′ 9.6″
f/4.80.46 ft0.85 ft0′ 5.5″0′ 10.2″
f/5.60.45 ft0.91 ft0′ 5.4″0′ 10.9″
f/6.70.43 ft1.02 ft0′ 5.2″1′ 0.2″
f/8.00.40 ft1.17 ft0′ 4.8″1′ 2.0″
f/9.50.38 ft1.42 ft0′ 4.6″1′ 5.0″
f/11.00.36 ft1.80 ft0′ 4.3″1′ 9.6″

Focus Distance: 0.8 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.00.69 ft0.96 ft0′ 8.3″0′ 11.5″
f/2.40.67 ft1.00 ft0′ 8.0″1′ 0.0″
f/2.80.65 ft1.04 ft0′ 7.8″1′ 0.5″
f/3.30.63 ft1.10 ft0′ 7.6″1′ 1.2″
f/4.00.60 ft1.20 ft0′ 7.2″1′ 2.4″
f/4.80.57 ft1.33 ft0′ 6.8″1′ 4.0″
f/5.60.55 ft1.49 ft0′ 6.6″1′ 5.9″
f/6.70.52 ft1.79 ft0′ 6.2″1′ 9.5″
f/8.00.48 ft2.34 ft0′ 5.8″2′ 4.1″
f/9.50.45 ft3.61 ft0′ 5.4″3′ 7.3″
f/11.00.42 ft7.84 ft0′ 5.0″7′ 10.1″

Focus Distance: 1.0 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.00.83 ft1.27 ft0′ 10.0″1′ 3.2″
f/2.40.80 ft1.34 ft0′ 9.6″1′ 4.1″
f/2.80.77 ft1.42 ft0′ 9.2″1′ 5.0″
f/3.30.74 ft1.53 ft0′ 8.9″1′ 6.4″
f/4.00.71 ft1.72 ft0′ 8.5″1′ 8.6″
f/4.80.67 ft2.00 ft0′ 8.0″2′ 0.0″
f/5.60.63 ft2.40 ft0′ 7.6″2′ 4.8″
f/6.70.59 ft3.29 ft0′ 7.1″3′ 3.5″
f/8.00.55 ft5.81 ft0′ 6.6″5′ 9.7″
f/9.50.51 ft48.55 ft0′ 6.1″48′ 6.6″
f/11.00.47 ftInfinity0′ 5.6″Infinity

Focus Distance: 2.0 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.01.40 ft3.48 ft1′ 4.8″3′ 5.8″
f/2.41.32 ft4.09 ft1′ 3.8″4′ 1.1″
f/2.81.25 ft4.94 ft1′ 3.0″4′ 11.3″
f/3.31.18 ft6.67 ft1′ 2.2″6′ 8.0″
f/4.01.08 ft13.10 ft1′ 1.0″13′ 1.2″
f/4.80.99 ftInfinity0′ 11.9″Infinity
f/5.60.92 ftInfinity0′ 11.0″Infinity
f/6.70.83 ftInfinity0′ 10.0″Infinity
f/8.00.75 ftInfinity0′ 9.0″Infinity
f/9.50.67 ftInfinity0′ 8.0″Infinity
f/11.00.61 ftInfinity0′ 7.3″Infinity

Focus Distance: 3.0 ft

F-StopNear LimitFar LimitNear Limit (ft & in)Far Limit (ft & in)
f/2.01.83 ft8.37 ft1′ 10.0″8′ 4.4″
f/2.41.70 ft12.99 ft1′ 8.4″12′ 11.9″
f/2.81.58 ft28.90 ft1′ 7.0″28′ 10.8″
f/3.31.46 ftInfinity1′ 5.5″Infinity
f/4.01.32 ftInfinity1′ 3.8″Infinity
f/4.81.19 ftInfinity1′ 2.3″Infinity
f/5.61.08 ftInfinity1′ 1.0″Infinity
f/6.70.96 ftInfinity0′ 11.5″Infinity
f/8.00.85 ftInfinity0′ 10.2″Infinity
f/9.50.75 ftInfinity0′ 9.0″Infinity
f/11.00.67 ftInfinity0′ 8.0″Infinity

Of course, most of us will forget all this and just fudge it. But data is fun, especially if you have embraced your autism in later life, like me.

Of perhaps more use is magnification – so here’s some tables:

Magnification Data (Close Range to 1 Meter)

Focus DistanceDistance (mm)Magnification ( M )Reproduction Ratio
0.125 m125 mm0.0638x1:15.7
0.15 m150 mm0.0526x1:19.0
0.2 m200 mm0.0390x1:25.7
0.3 m300 mm0.0256x1:39.0
0.5 m500 mm0.0152x1:65.7
1.0 m1000 mm0.0076x1:132.3

And Just for fun, the data aproaching infinity…

Focus DistanceDistance (mm)Magnification ( M )Reproduction Ratio
10 meters10,000 mm0.00075x1:1,332.3
100 meters100,000 mm0.000075x1:13,332.3
1,000 meters (1 km)1,000,000 mm0.0000075x1:133,332.3

If you’ve read this far…

Well done!



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